The World's First Great Collector of Antique and Unusual Spectacles
(Photos above courtesy of Peter Dunscombe, great-grandson
of Matthew W. Dunscombe.
Pictures of Matthew W. Dunscombe's collection are reproduced below.)
His Life
In 1629 the Worshipful Company of Spectacle Makers in London were given their
charter by King Charles I. Then by the 18th century, London began to take the
significant lead in spectacle making with the establishment of several
well-respected opticians, including Edward Scarlett, Benjamin Martin, and James
Ayscough. In Bristol, Mr. Jackson founded his business in 1797 and sold
instruments including telescopes, magnifying glasses and even spectacles
manufactured in his own lens workshop. He was joined by his son-in-law, John
Braham and on the death of Mr. Jackson, the business passed to Braham. In 1855
he took on a 14 year-old apprentice named Matthew Dunscombe.
Matthew William Dunscombe was born in Clifton, Bristol July 6th 1841. Shortly
after beginning work as an apprentice, he went to London to work in the Braham
family’s wholesale and manufacturing business. Soon his name became associated
with fine quality and reliability, and thus he earned the high respect of patron
and trade customers alike. Dunscombe gained many qualifications throughout the
course of his life, including the Cambridge Local Certificate in 1858, and a
further certificate for French at Kings College, London. When John Braham died
in 1863, his sons and nephew took over the business, but by 1874 Matthew
Dunscombe was able to acquire the Braham optical business. Once in charge,
Dunscombe continued developmental work with spectacles and lenses. He combined
scholarship and research with sound commercial sense. In 1875, he published
“Vision and Spectacles”, which included a description of the workings of the
eye, and also defects such as hypermetropia and myopia. He also wrote a
catalogue on visual aids. “The lenses used by MW Dunscombe are of the finest
quality optical glass and Brazilian pebble”. The spectacles are “unsurpassed for
utility and moderate price”. At the bottom of every page was the slogan “The
only Spectacle Manufactory in the West of England”.
Dunscombe was able to extend the influence of his business beyond Bristol
while also reassuring existing customers that the level of quality and
reliability would always be maintained. His product range expanded substantially
and soon included photographic equipment, microscopes, colored glass protectors,
barometers, thermometers, surveying equipment, and “magic lanterns”. He studied
amateur meteorology and became a fellow of the Royal Meteorological Society.
Initiated into Freemasonry, he achieved high rank in many of the crafts.
Matthew Dunscombe achieved prominence as an optician and was invited to the
preliminary meeting that resulted in the formation of the British Optical
Association, becoming one of its founder members in 1895. He became a Freeman of
the Spectacle Maker’s Company in 1898 and the President of the West of England
Optical Society in 1913.
His was a family business and two sons joined the business in 1887 and 1895
respectively. His oldest daughter became the first woman to pass the
examinations of the British Optical Association in 1899 at the age of 32. The
photographic side of the business began to flourish and the firm published a
monthly journal for amateur photographers, Photographic Chat. In 1905, Dunscombe
founded the Kryptok Company in conjunction with Borsch of Paris and Meyrowitz of
New York, creating a company which specialized in fused bifocals. The design of
the Kryptok lenses was considered to be ahead of its time and involved 17
manufacturing steps in their production. The two segments of the lens were fused
together instead of being glued which supposedly led to a better quality
product.
By the time of his death in 1918, Matthew Dunscombe had achieved a high
standing in his community both as an astute and successful businessman and as an
optologist who was well respected by his peers nationwide. The company continued
to operate after his death under the care of his sons. In 1935, they opened a
miniature Cinematograph Theatre to cater to those interested in home movies,
showing both amateur and professional films. Today, the Dunscombe business is
managed by the G C Bateman Group and has four practices in and around Bristol,
at Westbury on Trym, Clevedon, Kingswood, and 7 St. Augustine’s Parade.
His Collection
From an early age, Matthew Dunscombe was a keen collector of historical and
contemporary spectacles. In 1861, at the age of 20, he purchased Braham’s
celebrated collection of spectacles. This collection of around 50 spectacles had
won a Bronze Medal at the Great Exhibition in 1851. It was exhibited at the
Exhibition of 1862 where it received an Honorable Mention. By the time the
collection was exhibited at the Victorian Era Exhibition in 1897, it had grown
to 250 objects. There it received a Gold Medal, and the catalogue explained that
the spectacles are displayed “to illustrate the progress made in Art, Science,
and Manufacture during the reign of Her Majesty Queen Victoria.” His catalogue
also stated that “this is believed to be the only collection of the kind now
existing.” The collection was very extensive and contained many unusual,
interesting, and unique designs. Also on display was the bronze medal received
by John Braham at the 1851 Exhibition to demonstrate the prestige and history of
the items in the collection itself.
By 1910, the collection had grown to contain 285 items and it was exhibited
at the International Exhibition at Brussels where it won another Gold Medal.
Tragically, the Exhibition was devastated by a fire that swept through the
buildings and the prize-winning collection was completely destroyed. After the
dramatic loss of his prized collection, Dunscombe appears not to have been
discouraged and immediately started to build up a second collection which grew
to over 160 items within just three years. In April 1921, three years after the
death of his father, Osmond Dunscombe offered the second collection (287
spectacles and 93 lenses) as a loan to the Science Museum, ready mounted on a
silk mounted pyramidal base, to be displayed in Room 34 on the first floor in
the section dealing with Optics. There it was photographed on March 10, 1924.
After being evacuated to the country at the start of the Second World War (along
with other items from the National Collections) the collection was returned to
the museum and in 1947 became a permanent component of the Optics Collection. It
has been somewhat broken into various elements and some items are now in
storage. The only item to survive from the first collection is the Bronze Medal
awarded to John Braham in 1851.
Matthew William Dunscombe achieved great significance during his lifetime,
both as a member of the Bristol society and as an eminent practitioner and
innovator in the field of Ophthalmology. He was a successful and astute
businessman, as illustrated by his expansion of Braham’s optician’s company into
the emerging field of photography. Many of his children and grandchildren became
involved with the family business, and all became well-respected in their own
fields of expertise. In 1971, Dunscombe Ltd. Passed out of family control but it
still trades out of four establishments under the family name. This is evidence
of the firm’s reputation with its customers and suppliers throughout many years
it has been trading. Dunscombe was an avid collector from an early age, building
up two major collections within his lifetime. The first was internationally
acclaimed. The second has been used by the Science Museum for accurate dating of
other items, and it is a valuable resource to researchers and the public alike.
There can be no doubt that Matthew William Dunscombe was far more than just a
Bristol optician.
Adapted, with permission from a 1997 article by Catherine Gater of the
Science Museum, London.
Images of Dunscombe's collection reproduced below are from
original 10"x12" glass negatives shot in 1924. Permission for publication on
this website was granted by the Science Museum/Science & Society Picture
Library, South Kensington, London, UK.
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